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Rachmaninov - Piano Concertos No.2 & 3 - Simon Trpceski, RLPO, Vasily Petrenko - 2010 - Avie

Rachmaninov - Piano Concertos No.2 & 3 - Simon Trpceski, RLPO, Vasily Petrenko - 2010 - Avie
Simon Trpceski , piano
Royal Liverpool Philharmonic Orchestra
Vasily Petrenko, conductor

Simon Trpceski and Vasily Petrenko bring a certain lightness and refinement to Rachmaninov’s Piano Concerto No. 2, while at the same revealing the work’s deep emotions and inherent melancholy. Trpceski’s playing effuses romantic bravura in the rapid finger passages of the outer movements, while cultivating a classical elegance in the hauntingly beautiful slow movement, here sounding so similar in mood and style to Mozart’s Piano Concerto No. 21 that I wonder if Rachmaninov wasn’t inspired by it...
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Опубликовал 24-02-2016, 11:00 : pr3ss   |   Просмотров: 32   |   Комментарии (0)
     


Rachmaninov - Piano Concertos No.1 & 4, Paganini Rhapsody - Simon Trpceski, RLPO, Vasily Petrenko - 2011 - Avie

Rachmaninov - Piano Concertos No.1 & 4, Paganini Rhapsody - Simon Trpceski, RLPO, Vasily Petrenko - 2011 - Avie
Simon Trpceski, piano
Royal Liverpool Philharmonic Orchestra
Vasily Petrenko, conductor

Simon Trpceski’s recording of Rachmaninov’s Piano Concertos Nos. 2 and 3 was one of the most acclaimed and best-selling classical releases of 2010. His frequent collaborations with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra are justly celebrated. Together they complete the Rachmaninov canon with this highly-anticipated follow up of Concertos Nos. 1 and 4, and the Paganini Rhapsody.
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Опубликовал 23-02-2016, 11:00 : pr3ss   |   Просмотров: 32   |   Комментарии (0)
     


Antonio Maria Montanari - Violin Concertos - Ensemble Diderot, Johannes Pramsohler - 2015

Antonio Maria Montanari - Violin Concertos - Ensemble Diderot, Johannes Pramsohler - 2015
World Premiere Recording

Johannes Pramsohler and the Ensemble Diderot uncover a forgotten master of the Baroque: Antonio Maria Montanari, the most celebrated violinist in Rome at the time of Corelli and Handel. His collection of violin concertos is one of the most ambitious and elaborate sets of the period and ranks among the most impressive achievments in the Italian repertoire.

The musicians of the Ensemble Diderot deliver the world-premiere recording of these exceptionally well crafted concertos in their usual energetic, precise and intoxicating way. An elaborate media book with liner notes by internationally renowned musicologist Michael Talbot provides the fitting context.

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Опубликовал 3-10-2015, 10:55 : pr3ss   |   Просмотров: 36   |   Комментарии (1)
     


Veracini - Complete Sonate Accademiche - Trio Settecento - 2015

Veracini - Complete Sonate Accademiche - Trio Settecento - 2015
Trio Settecento, the “superlative Chicago-based early music ensemble” (Gramophone) presents Italian Baroque composer Francesco Maria Veracini’s monumental Opus 2 Sonate Accademiche for violin and continuo. It’s a cosmopolitan collection of 12 sonatas of breathtaking scope and pan-European influences — a set of sonatas unlike any other of the era. Veracini’s Sonate Accedemiche is both an homage to his fellow-countryman Arcangelo Corelli and an original masterpiece in its own right.

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Опубликовал 26-09-2015, 10:59 : pr3ss   |   Просмотров: 41   |   Комментарии (0)
     


Vivaldi - Vespro a San Marco - Leonardo Garcia Alarcon - 2011 - Ambronay

Vivaldi - Vespro a San Marco - Leonardo Garcia Alarcon - 2011 - Ambronay
The next installment of Leonardo García Alarcón, who gave us extraordinary musical journeys in recent years Ambronay Editions, and his first Strozzi. This album Vivaldi reconstructs an office of Vespers at St. Mark's in Venice, and presents works of richly melodic as well as rhythmic, and often the most accomplished way the Red Priest. Beautiful.


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Опубликовал 22-11-2014, 11:00 : pr3ss   |   Просмотров: 33   |   Комментарии (0)
     


Bach J.S. - Kothener Trauermusik BWV 244a - Pygmalion, Raphael Pichon - 2014 - Harmonia Mundi

Bach J.S. - Kothener Trauermusik BWV 244a - Pygmalion, Raphael Pichon - 2014 - Harmonia Mundi
When in 1728 the Prince of Cöthen dies, his former Kapellmeister has not forgotten the flamboyant five years once his past service. He dedicated his funeral cantata built almost entirely to the music of two major works of this period: the Trauer-Ode and the St. Matthew Passion. The partition is lost, but the book and many information now possible to reconstruct the structure. On the occasion of his first recording for harmonia mundi, Raphael Pichon whole Pygmalion and invites us to an exciting game of musical tracks in many ways ...

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Опубликовал 15-11-2014, 11:15 : pr3ss   |   Просмотров: 36   |   Комментарии (1)
     


Caldara - La concordia de' pianeti - La Cetra, Andrea Marcon - 2014 - Archiv Produktion

Caldara - La concordia de' pianeti - La Cetra, Andrea Marcon - 2014 - Archiv Produktion
This release marks the world-premiere recording and rediscovery of Antonio Caldara’s La Concordia de’ pianeti, a musical serenade of operatic magnitude composed for the court of Austrian Emperor Karl VI, featuring the crème de la crème of the day’s singers, including the legendary castrato Carestini....


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Опубликовал 8-11-2014, 11:07 : pr3ss   |   Просмотров: 37   |   Комментарии (2)
     


Couperin - Apotheoses & autres Sonades - Amandine Beyer - 2014 - Harmonia Mundi

Couperin - Apotheoses & autres Sonades - Amandine Beyer - 2014 - Harmonia Mundi
Сomposer: François Couperin (1668-1733)
Artist: Gli incogniti, Amandine Beyer
Title: Couperin: Apothéoses & autres Sonades
Genre: Classical
Label: © Harmonia Mundi
Release Date: 2014
Source: e|classical
Duration: 00:57:16
Recorded: Enregistrement 4-7 janvier 2014 au Théâtre des Quatre Saisons de Gradignan (Gironde / France)

" It does not take long to be charmed Amandine Beyer and his Unknown, as the delicacy of poetic discourse is the appointment. "(Classica, September 2014)

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Опубликовал 7-11-2014, 10:48 : pr3ss   |   Просмотров: 33   |   Комментарии (1)
     


Cecilia Bartoli - St Petersburg - I Barocchisti, Diego Fasolis - 2014 - Decca

Cecilia Bartoli - St Petersburg - I Barocchisti, Diego Fasolis - 2014 - Decca
Осенью Чечилия Бартоли выпустила новый альбом «St. Petersburg» с записями итальянских композиторов, работавших при дворе российских императоров, — автора первой оперы на русское либретто Франческо Арайи, ученика Вивальди Луиджи Мадониса, капельмейстера при дворе Екатерины II Доменико Чимарозы... Первые в мире записи забытых произведений сделаны с участием ансамбля I Barocchisti и дирижера Диего Фазолиса. Впервые же в своей карьере певица записала две арии на русском языке. Их партитуры Бартоли разыскала в архиве Мариинского театра.

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Опубликовал 1-11-2014, 11:00 : pr3ss   |   Просмотров: 30   |   Комментарии (2)
     


Il Diario di Chiara - Music from La Pieta - Europa Galante, Fabio Biondi - 2014 - Glossa

Il Diario di Chiara - Music from La Pieta - Europa Galante, Fabio Biondi - 2014 - Glossa
Сomposer: Giovanni Porta (c.1675-1755), Antonio Vivaldi (1678-1741), Nicola Porpora (1686-1768), Antonio Martinelli (c.1702-1782), Gaetano Latilla (1711-1788), Fulgenso Perotti (fl. 18th century), Andrea Bernasconi (1706-1784)
Artist: Europa Galante, Fabio Biondi
Title: Il Diario di Chiara: Music from La Pietà in Venice in the 18th century
Genre: Classical
Label: © Glossa
Item Number: GCD 923401
Release Date: 2014
Quality: Studio Masters FLAC Stereo 96kHz/24bit
Source: HighresAudio
Duration: 1:12:29
Recorded: Reggio Emilia (Chiesa di San Filippo), Italy, on 20-22 August 2013

Abandoned at the age of two months and taken in by the Ospedale della Pietà, Chiara (or Chiaretta) rose – within that enclosed charitable institution in Venice – to become one of the leading European violinists of the middle of the 18th century.

No stranger to such acclaim himself from two and a half centuries later, Fabio Biondi, on his first release for Glossa, has devised a programme drawing on the personal diary of this remarkable musician – taught by Antonio Vivaldi, and later a virtuoso soloist on the violin as well as the viola d’amore – of concertos and sinfonias by composers who, like the prete rosso, taught at the Pietà: Porta, Porpora, Martinelli, Latilla, Perotti and Bernasconi are all musicians whose compositions charm and delight as much today as they will have done in the time of Chiara.

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Опубликовал 13-09-2014, 10:51 : pr3ss   |   Просмотров: 41   |   Комментарии (2)
     


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