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Anton Eberl - Grand Sextetto - Trio Van Hengel - 2011 - Ramee

Anton Eberl - Grand Sextetto - Trio Van Hengel - 2011 - RameeСomposer: Anton Eberl (1765-1807)
Label: © Ramée
Item Number: RAM 1103
Release Date: 2011
Duration: 01:09:12
Recorded: in April, 2009 and March, 2010 at the Old-Catholic Church, Delft, The Netherlands
Cover: Kinsky Palace (ceiling of the entrance hall), Vienna

During the second half of the 18th century, new potential sources of income made it possible for musicians to disengage themselves from the grip of their traditional employers, and attain the level of respectable citizen. Anton Eberl is a perfect example of a composer affected by the changes occuring during the last decades of the 18th century and the beginning of the 19th, especially in Vienna. He clearly illustrates the range of services a musician had to develop in order to ensure an independent livelihood, the changes the musical world imposed on the image of musicians, and the effect of these influences on the production of music itself – as much on musical form and instrument choice as on the inexorable evolution of composition towards a romanticism of which Eberl can be seen as a true pioneer.
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Опубликовал 6-09-2014, 10:51 : pr3ss   |   Просмотров: 79   |   Комментарии (1)
     


Anton Eberl - Grande Sonate - Trio Van Hengel, Van Hengel, Veenhoff - 2006 - Ramee

Anton Eberl - Grande Sonate - Trio Van Hengel, Van Hengel, Veenhoff - 2006 - RameeСomposer: Anton Eberl (1765-1807)
Label: © Ramée
Item Number: RAM 0601
Release Date: 2006
Duration: 01:13:50
Recorded in August 2005 at the Old Catholic Church, Delft, The Netherlands
Cover: Grand Vermeil Service, Vienna, c. 1808 (Hofburg, Silberkammer)

Austrian Anton Eberl was very highly regarded by his contemporaries in his grievously short life, being widely considered the equal of Mozart, Haydn and the young Beethoven, alongside whose Sinfonia Eroica Eberl's own E flat Symphony was premiered - and by at least one critic deemed superior! Several of Eberl's piano works were even published as by Mozart, something which Eberl and Constanze Mozart fought to rectify. As late as 1944 Eberl's Symphony in C was heralded in Italy as a new Mozart discovery...
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Опубликовал 5-09-2014, 11:09 : pr3ss   |   Просмотров: 58   |   Комментарии (0)
     


Telemann - Paris Quartets Vol. 1 - Florilegium - 1999 - Channel Classics

Telemann - Paris Quartets Vol. 1 - Florilegium - 1999 - Channel Classics
Release Date: 1999
Duration: 01:05:08
Recording Location St. Martin's Church, East Woodhay, UK

Personnel:
Florilegium
Ashely Solomon - flute
Rachel Podger - violin
Daniel Yeadon - viola da gamba
Neal Peres Da Costa - harpsichord
Elizabeth Kenny - theorbo
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Опубликовал 21-08-2014, 10:50 : pr3ss   |   Просмотров: 73   |   Комментарии (4)
     


Rameau - Le Grand Theatre de l'amour - Sabine Devieilhe, Les Ambassadeurs, Alexis Kossenko - 2013 - Erato

Rameau - Le Grand Theatre de l'amour - Sabine Devieilhe, Les Ambassadeurs, Alexis Kossenko - 2013 - Erato
Release Date: 2013
Duration: 01:20:07
Recorded: Paroisse Notre Dame du Liban, Paris, 6-8 mai 2013

Sabine Devieilhe, the young French lyric-coloratura soprano is a name to watch. Over the 2013-14 Paris season she will star in Delibes’ Lakmé at the Opéra Comique and make her debut at the Opéra as the dazzling Queen of the Night in Die Zauberflöte. She has been described as a singer “whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking”. Both her achievement and her potential were recognised at the 2013 Victoires de la Musique Classique, France’s equivalent of the Grammys, where she won the award in the category for ‘Révélation artiste lyrique’...

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Опубликовал 30-06-2014, 11:02 : pr3ss   |   Просмотров: 126   |   Комментарии (0)
     


Mozart - Adagios & Fugues (after J.S. Bach) - Akademie fur Alte Musik Berlin - 2014 - Harmonia Mundi

Mozart - Adagios & Fugues (after J.S. Bach) - Akademie fur Alte Musik Berlin - 2014 - Harmonia MundiTracklist:
It has too often been overlooked that, between Bach’s death (1750) and the triumphant revival of his St Matthew Passion by Mendelssohn in 1829, other composers had already investigated the œuvre of this ‘old master’. Mozart was the most fervent among them; thanks to the discoveries of Baron van Swieten, he had the opportunity to explore The Well-Tempered Clavier and make the string arrangements from it featured on this disc.



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Опубликовал 26-05-2014, 10:49 : pr3ss   |   Просмотров: 140   |   Комментарии (0)
     


Joseph Haydn - The Seven Last Words of Christ - Cuarteto Casals - 2014 - Harmonia Mundi

Joseph Haydn - The Seven Last Words of Christ - Cuarteto Casals - 2014 - Harmonia Mundi
An instrumental ‘oratorio’
Haydn wrote his Seven Last Words in 1786/87 for Good Friday devotions in Cádiz. The task of composing a purely instrumental ‘oratorio’ consisting of seven contemplative slow movements was by no means an easy one; but the outcome was a work of sublime nobility, which in Haydn’s own transcription for string quartet has enjoyed unfailing popularity ever since.

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Опубликовал 21-04-2014, 11:09 : pr3ss   |   Просмотров: 135   |   Комментарии (1)
     


Stamitz, Richter - Early String Symphonies, Vol.1 & 2 - New Dutch Academy, Simon Murphy - 2003 - PentaTone

Stamitz, Richter - Early String Symphonies, Vol.1 & 2 - New Dutch Academy, Simon Murphy - 2003 - PentaToneStamitz, Richter - Early String Symphonies, Vol.1 & 2 - New Dutch Academy, Simon Murphy - 2003 - PentaTone
Сomposer: Johann Stamitz (1717–1757), Franz Xaver Richter (1709–1789)
Artist: New Dutch Academy, Simon Murphy
Title: Early String Symphonies, Vol.1 & 2
Genre: Classical
Period: Baroque
Brand/Label: © PentaTone
Quality: Studio Master 24bit 96kHz
Source: HIGHRESAUDIO
Duration: 00:54:39 + 01:06:43
Release Date: 2003
Recording: at concerts and sessions at the Oud-Katholieke Kerk of The Hague on 10, 11 and 13 January, 2003

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Опубликовал 24-03-2014, 11:06 : pr3ss   |   Просмотров: 49   |   Комментарии (1)
     


Handel to Haydn - Birth of the Symphony - Academy of Ancient Music, Richard Egarr - 2013 - AAM

Handel to Haydn - Birth of the Symphony - Academy of Ancient Music, Richard Egarr - 2013 - AAM
Сomposer: George Frideric Handel (1685–1759), Franz Xaver Richter (1709–1789), Johann Wenzel Anton Stamitz (1717-1757), Wolfgang Amadeus Mozart (1756–1791), Franz Joseph Haydn (1732–1809)

The first release on AAM Records, the new label of the Academy of Ancient Music – recently described as “the finest period-instrument orchestra in the world” by Classic FM.
Birth of the symphony explores the development of the symphony in the eighteenth century, surveying groundbreaking musical advances across Europe.
The recording includes brilliant and rarely-heard works by composers of the avant-garde “Mannheim school”, Richter and Stamitz, as well as Haydn’s mature “La passione” symphony.
Supplementary materials available online include a documentary film featuring AAM musicians discussing and performing these symphonies.


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Опубликовал 21-02-2014, 11:01 : pr3ss   |   Просмотров: 29   |   Комментарии (2)
     


Vivaldi, Handel, Porpora, Mozart - Alleluia - Lezhneva, Il Giardino Armonico, Antonini - 2013 - Decca

Vivaldi, Handel, Porpora, Mozart - Alleluia - Lezhneva, Il Giardino Armonico, Antonini - 2013 - Decca
Quality: Studio Master FLAC Stereo 96kHz 24bit
Recorded: Sala 1 Pau Casals, l‘Auditori de Barcelona, 12–17 October 2012
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Опубликовал 6-02-2014, 11:08 : pr3ss   |   Просмотров: 216   |   Комментарии (6)
     


d'Anglebert, Marais, Dolle & Forqueray - Hommages - Mieneke van der Velden, Glen Wilson - 2013 - Ramee

d'Anglebert, Marais, Dolle & Forqueray - Hommages - Mieneke van der Velden, Glen Wilson - 2013 - Ramee
Quality:Studio Master FLAC Stereo 88,2kHz/24bit
Homage in music can express different things: gratitude towards a benefactor, a more personal greeting to a friend or acquaintance, recognition of a colleague’s talent, or a testament raised in memory of a teacher or other departed dear one. Paying homage to a late musician with a Tombeau was already an ancient tradition in the time of Marin Marais. Initially, tombeaux were instrumental transcriptions of middle-age and Renaissance vocal lamentations, and were developed around the middle of the 17th-century for the lute, then for the harpsichord by Louis Couperin and Jean-Henri d’Anglebert, and finally for the viola da gamba by Sainte-Colombe. The Tombeaux of Marin Marais are amongst the most original and expressive of those written for the viol, while the last examples of this tradition are the Tombeau pour Marais le Cadet, by Marin Marais (1725) and the Tombeau de Marais le Père, by Charles Dollé (1737). A programme full of worship, grandeur and sadness.
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Опубликовал 5-02-2014, 10:51 : pr3ss   |   Просмотров: 125   |   Комментарии (2)
     


 
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